Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Fascinated by Michelangelo and Pablo Picasso. Pablo Von Goethe work emerges from the eyes of the protagonists of his stories that always cite the verses of being. The works created over the years have profound contents that invite the viewer to dive into the created worlds to search for the messages and the mediated values.
feeleash (M. Andresakis) actively works in music as well as the international publishing scene, implementing all types of digital graphics and video. Michael combines incompatible worlds into a new universe, increasing the dynamics between the audience and the author, investigating the duality that develops through different interpretations.
Ayse U Akarca is a Turkish scientist who balances making art with her career in research at one of the world’s leading institutions at UCL. Working with different cancer tissues, faced with the reality of what this disease is and the effect it has on people’s lives, Ayse thinks about mortality – and the fine line that exists between life and death.
Augusto Poderosi was born in Rome. He works eclectically in the fields of figurative and audiovisual arts. Augusto started his activity in the laboratories of scenography at the Cinecitta Studios. He is also a sculptor, painter and restorer to the holy see he realizes numerous artistic patronage for the Basilica Papale di S.Paolo Fuori le Mura, di S.Antonio di Padova, Basilica Del Cristo Re (Rome) for the Vatican City and various other Roman churches.
Aïda Schweitzer is a Franco-Egyptian performance artist. She lives and works between Luxembourg and Brussels. Without learning in art school, her confusing work is based on "a no" partitioning, a distance from a formatted model, and challenges the established codes. Committed and feminist, her work plunges us into a poetic interiority of pure lines, a legacy of her travels in Asia.
Mattia Peressini works and studies in Lignano Sabbiadoro and Mestre in Italy. His research focuses on providing visual interpretations of sensations, thoughts, and emotions, and on different topics. The mystical and the inner self, as well as today and tomorrow worlds which intertwine, often by crushing or just touching us.
Bogdan feels an urge to paint, as he wants to make up for all the years he has not been painting. His style surfaced intuitively. Bogdan mostly identifies himself with Francis Bacon’s concept of a ‘tightrope walk between what is called figurative painting and abstraction.’ Each painting in multiple performances.
