Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Mallory’s work focuses on collecting and ritual. In the Flowers of the Anthropocene series, she plays the role of an artist / pseudo-naturalist, for she does not create the flowers. She finds them in the waterways created by the forces of nature and clips the flowers to photograph them back in her studio.
Patrícia Pinheiro de Sousa is a visual artist and filmmaker based in Rotterdam, the Netherlands. She works with multiple mediums and disciplines, such as video, text-based works, performance, sound, and self-published books. She is interested in fragmented landscapes and how incomplete narratives affect collective memory, while her latest projects reflect an interest in future landscapes.
Camila Rodríguez Triana (Cali, 1985) is a visual artist and filmmaker. Rodríguez Triana's work reflects on identity. She is interested in the inherited ancestral culture and how we re-appropriate that culture to make it our own. She is interested in the words “re-appropriation” and “re-elaboration” that imply recognizing something past to transform it into the present.
Ekaterina Zhingel is inspired by articles on scientific hypotheses and discoveries in physics and neurobiology. Her latest series is devoted to the nonlinearity of time. In the series, Ekaterina was photographed against the background of the street and kept this moment for herself. She left no more trace. This photo is the only proof of her short presence at this place.
Hermano Noronha is more interested in the symptom than in the evidence, in reaching what is under the obvious. He is interested in the vortex of time and how the plurality of individual memories is combined in the building of collective memory. Through the identification and photographic registration of symbolic markers, he seeks to build archives against oblivion.
Mike Steinhauer is a photographer, conceptual artist, blogger, and arts administrator who is keenly interested in the environment within which he lives. Mike is particularly interested in the relationship between past and present use (and perception) of object and space. His most recent work is an investigation into memory—both as it is created and re-experienced.
