Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Kim Matthews makes nonobjective sculptures and drawings in various media. The frequent use of modular construction arose from practical concerns and spiritual ones, as repetition is evocative of the mantra meditation that structures her daily life. The ongoing Objects of Affection series was prompted by an urge to reclaim comforting childhood memories and honor the artists and designers whose work informed her early visual lexicon.
Yu-Ching Wang was born in Taipei, Taiwan and now lives and works in New York. She is an interdisciplinary artist and works in video, performative action, spatial installation, and photography. Yu-Ching's recent works focus on exploring the social and cultural elements in the environment around her through the lens of her identity as a foreigner. She strives for the moment people become aware of unexpected realities provoked by her projects.
