Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Robin Dru Germany is a Professor in Photography at Texas Tech University in Lubbock Texas. Her research investigates the tenuous border between the human and the natural worlds, looking simultaneously at the capitalist-driven human world and the undisclosed activity of nature with emphasis on the undefined area between the two, pointing to the asynchrony between these two environments.
Jingyi Chen, born in 1997 in China, is an innovative digital artist and designer whose work critically engages with contemporary digital themes. Jingyi's portfolio is a testament to her ability to blend traditional artistry with modern technological insights. Her art, inspired by postmodernism and new media theories, navigates the complexities of cyborg identities, surveillance capitalism, algorithmic bias, and feminism.
Huidi Xiang is an artist and researcher who is currently based in Brooklyn, NY, USA. In her art practice, Huidi Xiang makes sculptural objects, installations, and systems to probe the spatial and temporal effects of inhabiting both virtual and physical worlds in late capitalism. Huidi's current research focuses on the complex interplay between play and labor in our contemporary life, where the boundaries between these two are increasingly blurred.
