Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Syl Arena is a California-based artist known for his explorations of non-representational photography. He freely admits that he is addicted to color and shadow. In his current series, Constructed Voids, Arena deconstructs white light into vibrant hues and mixes them onto monochromatic constructs. Through the intersection of light, construct, and lens, Arena finds transformative relationships that he describes as “inner landscapes.”
Patrick Vandecasteele explores the physical, psychological and social posture of humans, the various costumes they wear to dress their intimate hiatuses. He tries to restore the spontaneity of human posture, its fleetingness, the unconscious that inhabits a body and its outfit, the links between composure and thoughts, gestures and intentions, mental melee.
He paint our struggle to face others, to approach others, the struggle between our multiple intimacies, between our imperative of life in society, of submission to servitudes and the imperative need for autonomy, individuality.
