Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Zihao Zhou is a Chinese fashion designer based in London. His art explores the connections between the macro and the micro, revealing the hidden wonders of the world. In 2024, he took a leap of faith and launched his own eponymous brand, Illogic, in London. With a blend of traditional craftsmanship and contemporary aesthetics, Zihao aims to carve his unique mark in the fashion industry.
Julia Lehmann is a philosopher, writer, translator, and artist whose practice is deeply intertwined with her explorations of language, humanity, and the natural world. Exploring the boundary between text and image, the parts then form a new whole, fragments of a female voice. The typewriter is the tool to hide, to love, to seek, to find, to hope, to think.
Neryhs Wo is an emerging independent artist from Hong Kong. Her practice explores the contradiction of hoping to be found and understood but doubting the existence of total understanding between minds. She expresses this through various media such as poetry, paintings, illustrations, public installations, and performances. Neryhs sees her art practice to be a form of unconditional love she gives to life.
Devika Pararasasinghe is currently living and working in London by trade as an artist and writer. Her practice deals with[in] the working-class [invisible]-labour ecosystem[s] and [invisible]-reproductive labours, giving into the visuals between low-fi and high-art aesthetic scenarios. In addition, writing for Devika is an act of monological autonomy and re-narrativising.
