Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Leslie García Blanco is a visual artist of Cuban origin who lives between Cuba and Switzerland. His work is characterized by the versatility of his staging as well as his constant concern for the poetics of everyday life. García Blanco finds reasons and procedures that displaces with apparent naturalness and spontaneity to the field of visual arts.
Bobby is an “end-to-end” digital artist with specialised skills in image/video processing, digital generative and derivatives arts, etc. Bobby believes the introduction of digital science into arts would eventually bring about a paradigm switch as to how arts would be appreciated in the future, particularly in its form and related presentation.
