Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Zihao Zhou is a Chinese fashion designer based in London. His art explores the connections between the macro and the micro, revealing the hidden wonders of the world. In 2024, he took a leap of faith and launched his own eponymous brand, Illogic, in London. With a blend of traditional craftsmanship and contemporary aesthetics, Zihao aims to carve his unique mark in the fashion industry.
Tong Tong is a cutting-edge fashion designer and creative based in New York City. Tong's designs draw inspiration from a rich tapestry of influences, including personal memories, a profound passion for fashion history, and an adventurous exploration of materials. His collection Home Alone draws inspiration from a cherished childhood memory, the clandestine explorations into his parents' wardrobe.
Qibai Ting is an artist currently based in Beijing and London. Her practice mainly focuses on narrative objects and sculptural installations. Qibai is interested in stargazing activities, and she considers her works as “constellations”. Living very close to forests and mountains, she identifies with the philosophy of nature and practices within landscape.
Huey Lee is a ceramic artist from South Korea, dedicated to exploring the expressive possibilities of clay. After completing his training as a traditional Korean ceramic artisan, Lee honed his skills working in various pottery and ceramic studios. His artistic practice is deeply rooted in his cultural background, religious influences, and nostalgic memories.
Jiayun Chen is an interdisciplinary artist who manifests ideas through forms of installation, ceramics, painting, and drawing. In searching for poetics and humor within failed translations, Chen investigates the aesthetics of failure in the experience of cross-cultural encounters. Having divided time nearly equally between China and America, Chen's artistic journey is heavily influenced by straddling the cultural divide between the two.
