Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Zihao Zhou is a Chinese fashion designer based in London. His art explores the connections between the macro and the micro, revealing the hidden wonders of the world. In 2024, he took a leap of faith and launched his own eponymous brand, Illogic, in London. With a blend of traditional craftsmanship and contemporary aesthetics, Zihao aims to carve his unique mark in the fashion industry.
Tong Tong is a cutting-edge fashion designer and creative based in New York City. Tong's designs draw inspiration from a rich tapestry of influences, including personal memories, a profound passion for fashion history, and an adventurous exploration of materials. His collection Home Alone draws inspiration from a cherished childhood memory, the clandestine explorations into his parents' wardrobe.
Qibai Ting is an artist currently based in Beijing and London. Her practice mainly focuses on narrative objects and sculptural installations. Qibai is interested in stargazing activities, and she considers her works as “constellations”. Living very close to forests and mountains, she identifies with the philosophy of nature and practices within landscape.
Huey Lee is a ceramic artist from South Korea, dedicated to exploring the expressive possibilities of clay. After completing his training as a traditional Korean ceramic artisan, Lee honed his skills working in various pottery and ceramic studios. His artistic practice is deeply rooted in his cultural background, religious influences, and nostalgic memories.
William Josephs Radford, a Spanish-born fine art photographer, challenges conventional thought processes through his striking compositions and thought-provoking subject matters. His photography delves into controversial themes such as sex, religion, gender, and identity to convey complex emotions and altered perceptions.
Ole Tersløse is a Danish artist. The artist deliberately positions himself in a realm of ambiguity, rendering his work difficult to categorize. This ambiguity partly arises from Tersløse's technique. He crafts the majority of image elements from scratch using 3D computer programs also employed in gaming and film visual effects. In these programs, he can manipulate the illusion to his liking, resulting in images that are simultaneously realistic and alienating.
ZULFA is an artist whose works investigates and questions the complexities of inextricably intertwined relationships of religion, culture, and politics and their influences on social structures. As an individual who stands at the crossroads of multiple minority groups, he aims to use his art to amplify their voices and concerns and create contemporary discourse.
Oxana Kovalchuk is an artist from Kazakhstan, currently living and working in New York/New Jersey. Oxana's body of work "Making Fools Pray To God" metamorphoses Christian saints from her private arsenal into contemporary 'deities' revered by the masses, people at large, under new guises. She sees that the spiritual 'links' today have an equivalent in the 'realities' provided us through digital screens.
Sudesh Prasad is an American artist. He began working as an artist in New York in 1986. His abstract works focus on the collaborative nature of the artist and the viewer. His Cool Empire II series is made of prints from European painting torn from books and overpainted, in an attempt to re-focus the notion of the viewer and their place in the nature of images, painting, and looking at art.
