INTERVIEW | Evelyne Chevallier
Evelyne Chevallier's photo collages started with graffiti. As the amount of graffiti in the collages was reduced, more and more photos of exceptional Argentinian and Chilean landscapes appeared, and most of the time, they were also manipulated. A resume of this work could be described as a permanent juxtaposition of two extremes: full and empty, talkative and silent, urban and nature.