Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Carolina Serrano is a Portuguese artist whose artistic practice develops in the field of sculpture. Serrano’s theoretical research revolves around the sphere of the temporality of Sculpture. The artist is particularly interested in working on the disturbing and mysterious cleavage between what is real and what is illusory, between what is visible and what is invisible, between what is palpable and what is immaterial.
Joanna Wlaszyn is a Polish-French interdisciplinary artist, teacher, and researcher based in Paris. Her work fuses visual language with conceptual experiments. She attempts to create alternative interpretations in response to a constantly evolving post-digital culture. She challenges perception and representation through video, installations, digital art, and hybrid drawings and paintings.
Salvatore Mauro is an award-winning Italian artist. His art opens in two directions, the first is a more performative expression, where the central element is the interaction with the viewer of which he becomes the protagonist. The other concerns sculptural elements, which he calls "lightboxes and constellations", which are created to last over time.
Rui Aleixo was born, lives, and works in Lisbon. He develops his artistic work as a freelancer since 2008, and he has exhibited both collective and individual projects. He works with diversified techniques, materials, and media, materialized in works of painting, drawing, engraving, installation, and sculpture, as well as performance or action. He is represented in private collections and a public collection at Fundação Portuguesa de Telecomunicações.
Marina Gasparini was born in Gabicce Mare. She lives and works in Bologna, Italy. After graduation from the Academy of Fine Arts in Ravenna, she started her artistic activity in Bologna in the '80s. Her practice focuses on living places and is mostly based on drawing, embroynding, and installations. Since 2001, the employment of textiles has been constant in her works.
Aomi Kikuchi is a Japanese creator of innovative fine arts. She is inspired by Buddha’s philosophies of impermanence, insubstantiality, and suffering in all life—referred to in Japanese as Mujo(無常), Muga (無我), and Ku,(苦). She raises awareness that acceptance of impermanence and insubstantiality can liberate from dissatisfaction or suffering.
Tobias Tavella’s "Dynamic Studio Practice" examines sculpture, sound, and objects according to their space-constituting consequences. He creates new contexts of meaning where sounds, "objet trouvés" from nature, and technology are his primal spatial experience of fragility. With his temporary spatial interventions, he reflects the social framework of art and its conditions of production and representation.
