Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
My Linh Mac is a multi-media artist, her works portray beauty in humble places with her signature style of deep and vibrant accent colors. Her work mixes traditional media, mostly acrylic painting, with digital painting and design. While Mac’s paintings have varied genres, from conceptual, abstract, and figurative to contemporary, her digital and visual design works are commercial.
Sanja Star is a Senior Graphic Designer and Art Director in an agency and the corporate environment. She combines digital and traditional techniques, 3D art, and creative coding to create artworks used for her live performances. Sanja Star creates audio-reactive visuals, which enables her to perform interactively with musicians creating an improvised audio-visual set.
Stepan Ryabchenko is a leading Ukrainian media artist and Art Laboratory chief curator. His work spans conceptual architecture, sculpture, and light installations. He focuses on the boundary between the real and virtual world and the new nature of art. Stepan creates his digital universe with its heroes and mythology. Well-known for his monumental prints and video-art installations of non-existent characters, including Computer viruses, Electronic winds, Virtual flowers, etc.
Tokyo-based media artist Nao Sakamoto, known as NAOWAO, With a background in filmmaking, interior architecture, visual effects, and animation. She explores hybrid worlds between the physical and the digital. NAOWAO creates a story that invites the viewer to explore another perspective of the current world. She questions the meaning of authenticity and how our digital life is affecting it.
Jean-Philippe Côté alias Djipco is an artist based in Montréal (Québec, Canada). Algorithms always drive his visual and interactive work. Using open-source software and pieces of “obsolete” hardware, he puts together interactive installations that bring back a sense of tangibility to this otherwise artificial, virtual, and augmented world of ours.
Eun Sun Cho projects revolve around the elements of photographic mediums dealing with physical and technical problems such as measurements, algorithms, analog/digital difference and representation of language of formality accompanied by the process of the image. She investigates the intersection of biology, chemical-physical phenomena and mathematical problems with photographic reality.
Absent Chronicles was born out of a need to express, construct, tear down and process. It is the music created by structuring chaos juxtaposed by visuals generated by processing musical parameters while trying to implement the almost inevitable technological changes happening around us, instead of fighting against them: walking the intersection of art and technology, exploring the stories yet to be told.
