Ramón González Palazón is a multidisciplinary artist working in painting, drawing, video creation, installation, and filmmaking. His practice seeks to transform real spaces, merging the human and the material, using interactive devices to generate new interpretations of physical environments. In his latest compositions, he reflects on the natural process of atmospheric elements.
Thomas C. Chung is a Chinese-Australian contemporary artist based in Helsinki & Sydney. His latest project, the exhibition The Sea That Stands Before Me…, contemplates the notion of one's devotion to living as a form of armament. Chung's conceptual practice continues its inquiries into psychology, folklore, mythology, and philosophy, binding them as a cohesive tale.
Jewan Goo is a research-based photographer who focuses on reexamining and reconstructing the fading history of Korea during the Japanese colonial period. His work is deeply connected to contemporary issues within institutional archives and history education, which are often biased and subject to political control or censorship by governmental or educational authorities.
Intertwining discourses around labyrinths, social anxiety, and post-truth, Junshu Gu’s work is rooted in rhizome theory and draws from her 13 years of experience in interdisciplinary, culture-related media work and her profound expertise. Her practice incorporates painting, sculpture, and time-based media, appearing minimal and abstract, yet formally lithesome and precise.
Hanna Tzong-Han Wu is a Taiwanese choreographer and dancer based in Los Angeles, California. The dance language that lies between Western contemporary, hip-hop, and martial arts punctuates her signature style. Hanna is most interested in creating works that reflect on humans and humanity and believes that arts are the reflection of society. In her work she blends arts, culture, society, humans, and self.
Kinnari Saraiya is an Indian artist based in the UK. Having grown up with the stories of the colonial empire told by her grandfather, she is fascinated by the physical evidence of this history in the landscape of India and England. It voices a counterculture of stories which depicts the dysfunctions of the world and forces a new type of meaning to be created through her work.
Noor Taan is a German/Lebanese interdisciplinary designer currently based in New York City. Her work focuses on experiments with natural products such as in the Loofah project. Her artwork ranges from illustrations to photography and installation. It includes visual investigations using collages and digital art.
Aristo Vopĕnka explores the boundaries between photography, illustration, painting, and print. Using an experimental attitude towards these different media, new forms of expression take place. They are the beginning of a contemporary reinterpretation of expressionism which he has started to call experiential expressionism.
Sam Heydt is an American social practice and recycled media artist. Working across different media, Heydt presents an abstract proposition for a world on the periphery of history, one that not only appears haunted by the ghosts of the past but built on it. Her work has been shown in galleries, museums, art fairs, and film festivals worldwide.
Sudesh Prasad is an American artist. He began working as an artist in New York in 1986. His abstract works focus on the collaborative nature of the artist and the viewer. His Cool Empire II series is made of prints from European painting torn from books and overpainted, in an attempt to re-focus the notion of the viewer and their place in the nature of images, painting, and looking at art.
Tobias Tavella’s "Dynamic Studio Practice" examines sculpture, sound, and objects according to their space-constituting consequences. He creates new contexts of meaning where sounds, "objet trouvés" from nature, and technology are his primal spatial experience of fragility. With his temporary spatial interventions, he reflects the social framework of art and its conditions of production and representation.
